Archive for June 7th, 2012

Day 07

Thursday, June 7th, 2012

Sumi-e Ink on Paper

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Day 7: Terminal City

Thursday, June 7th, 2012

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Day 6: Fresh Lettuce

Thursday, June 7th, 2012

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Day #7

Thursday, June 7th, 2012

Kaan #3

5″x7″ acrylic on cradle board

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Day 07

Thursday, June 7th, 2012

Ifrit.

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June 7th – In Which I Enlist Help

Thursday, June 7th, 2012

For the first Time, I took my computer and tablet to a figure drawing session down the road. It was SO MUCH more enjoyable. I like sketching on paper well enough, but doing these drawings in digital felt like home. I tried a different approach with doing these as far as sketches go. Namely the use of the lasso tool.

SEE MORE!

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07 – daedalus’ daughter

Thursday, June 7th, 2012

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Seven

Thursday, June 7th, 2012

20120607-231846.jpg

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On the Road Again/Day7

Thursday, June 7th, 2012

Details. Billowing pillows and bedding

Detail: billowing pillows and bedding

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Tim Gerwing Day 7 – God of Wine

Thursday, June 7th, 2012

listen at LASCAUX21

lyric sheet

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day 7

Thursday, June 7th, 2012

sunrise over Hana Bay

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Kyoto Market: Day 07

Thursday, June 7th, 2012

Pickles.

Pen, watercolour.

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“Qi#_2EDV//4DH=!d’

Thursday, June 7th, 2012

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Day 07: the little flower child

Thursday, June 7th, 2012

Showing up wherever beauty’s lost its way

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ABox – 30 Days of Beat Box 7

Thursday, June 7th, 2012
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ABox – 30 Days of Beat Box 6

Thursday, June 7th, 2012
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DAY 7 – REVIEW 7 – ARTOTATE

Thursday, June 7th, 2012

DAY 7 – 30 DAYS PROJECT 

The tripodic and fragmented sculptural oeuvres of Richard Henriquez are as ever elusive a double rainbow; the awe and wonderstruck that ensues from such chance encounters is firmly rooted in a soil rich with elements of curiosity, and nostalgia. 


Narrative Fragments - Richard Henriquez

Winsor Gallery

Jun 7 – 30, 2012

Photos Courtesy of Sunshine Frere

Essay Excerpt from:

Richard Henriquez: Mechanomorphic Dreams, an essay by Howard Shubert

Like history Henriquez’s works are layered and complex. And like the remnants of history out of which he creates these works – old photographs, scraps of writing and newspapers, found objects – his sculptures and drawings can be both allusive and elusive. The found objects that Henriquez incorporates into his sculptures are inscrutable, revealing as much as they conceal. Found objects are random and lack context. Henriquez draws on those qualities in assembling them into surprising, evocative works, sometimes employing surreal juxtapositions to create what sculptor Geoffrey Smedley has called “an amalgam of measured objective facts and subjective experiences” that are “rich in unforced associative reasoning.” But these works still retain the essence of their constituent parts as witnesses to history. But what history and whose? If the historian tries to find clues and looks for patterns in the detritus of history, the artist has no such obligation. According to Geoffrey Smedley, Richard Henriquez is engaged in a “mytho-poetic” project, dealing in “poetically understood facts.” The tripod sculptures that Henriquez has been assembling for thirty years are a case in point.

- Howard Shubert

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self portrait 7

Thursday, June 7th, 2012

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Travel Light 07

Thursday, June 7th, 2012

inspired by this song :)

http://www.youtube.com/watch?v=x4aVN4cJxBQ&feature=player_embedded

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Day 07: The other side of glass window

Thursday, June 7th, 2012

Blog here

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